Saramonic 3. Rode Reporter MicDesigned for handheld interview and presentation applications, the Reporter features an omnidirectional dynamic capsule that is de XS Lav Mobile is the perfect companion for enhanced dialogue recordings on mobile devices and computers. Featuring an omnidirectional clip-on micr Mke On-camera MicrophoneMKE Directional on-camera microphone with built-in wind protection and shock absorption for enhanced in-camera audio Category Camera Accessories.
Category Audio Equipment. Category Audio Accessories Headphones 4. Mics Brand DJI. Also watch out for dangling jewelry, as it will interfere by scratching and bumping the mic when the presenter moves.
If you have to mount off to the side, try to determine which side the presenter will be speaking to the most, and mount it there.
And always make sure it is pointed as directly toward the chin as possible! If there are absolutely no other options, either clip it upside-down on the top edge of the dress behind the presenters neck, or clip it or have someone do it for you if you are a guy on the bra strap in the back. Ok, so this tip precedes the placement of the mic as far as timeline goes, but if you have control of the setup, and know you will be mixing lavs during the show, optimizing speaker placement is your best defense against feedback.
If possible, always try and have your speakers as far forward and away from your lav-bearing-presenters as possible. Sometimes this takes a bit of creativity to also ensure proper room coverage, and as always, it takes proper knowledge of your gear. Here is a recent example of mine:.
For this setup, we had a very wide seating arrangement, and a larger number of lavs. My best option was to go wide and straight with the main speakers, and then fill in the front-middle with front fills from the stage. The goal here was not only coverage of the audience, but keeping the stage as clear as possible from potential feedback.
Most speakers will have a wider coverage area than you think, so always play it safe when it comes to lavs and keep the speakers pointed as far away from the stage as possible. It requires someone to be on stage another tech wearing the lav properly, and speaking while the engineer works the console.
First though, this requires the right gear. If you are working a smaller event with a small board such as a Mackie , you will need an in-line graphic EQ to use either as an insert, or as a final stage EQ. Final Stage EQ:. Inserted EQ:. I put the Ashley Graphic EQ in the second example because it has four different channels to choose from.
If you wanted, you could even run your mono output to the PA through the last channel, and have an added layer of EQ! This is especially useful, as you can EQ each set of speakers differently based on their proximity to the stage.
You can also set groups of mics, and EQ each group collectively and independently. Whichever of the three situations, the technique is very similar to ringing out the room. One note: You want to mimic how the show is going to run as closely as possible, so you can tune the room accordingly.
Ringing out the room with the mic in a different place than it will be during the show will give you a false representation, and ultimately bad results. I generally start each lav with a high-pass filter engaged to about Hz, and a general deep mid-range scoop around 1kHz. A lot of lav mics are considered to be omnidirectional, meaning they pick up audio equally from sound sources in all directions, as opposed to a shotgun mic that mainly picks up sound from the subject directly in front of it.
As previously mentioned, the lapel mic comes with a few advantages over other mics. Learn why you should add a couple to your gear bag. The most obvious advantage of a lav mic, specifically the wireless lavalier microphone, is its unobtrusiveness.
You can attach a lav mic directly onto yourself and other subjects comfortably and record hours of dialogue without the invasion of an object protruding in front of your face. Beware: Lav mics are so discreet and feel so natural, some people forget that they have them on hot mic, anyone. Whether your production takes place while you're sedentary or while mobile, the portability of these discreet wireless systems gives subjects the freedom to gesture, tilt, walk, and move spontaneously, with no strings attached literally.
Just look at TV shows that have guests sit, stand, jump, spin wheels, press buttons, walk back and forth, etc. Sure, removing a mic from its stand can get the job done, but the hands-free portability of lav mics is unmatched.
Though seemingly vain, looking professional is its own advantage. Some of the disadvantages include limited power and sound quality compared to larger, more robust microphones. But lavalier mics do have their time, place, and reason to include in your ensemble of mics.
If you need mics and audio gear for other uses, check out our catalog of audio equipment for every purpose imaginable. Peep below.
First up is the Lavalier Go. One of our absolute favorite lines of lavalier mics and the 1 pick of our very own creator, Caleb Babcock.
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